Summit Union Series #5: Old Blaggard

My beverage BFF, wine sommelier Leslee Miller, and I have a joke between us. Whenever we’re teaching a class together, she will pour a wine and say something like, “It’s only 9 percent. You can drink it all day.” I on the other hand start talking about taking it easy on the strong beers at around 8 percent alcohol. Oh, the different perspectives of the beer people and the wine people.

But it just goes to show you how appropriate the term “barleywine” really is. It’s beer. It’s made from barley. But it has an alcohol content more common to the world of wine than beer.

Historically both wine and barleywine were served similarly as well. Wine wasn’t always served in the glassware to which we are now accustomed. Once upon a time guests were greeted with a much smaller serving, poured into a tiny little glass. My mother has a collection of these antique wine glasses. I always thought they were for cordials. English lords once served manor-brewed strong beers in similar tiny glasses. Nowadays the beer people have it better. We typically get a ten-ounce pour of barleywine. Five ounces is the normal pour for wine.

Old wine glass

Old wine glass

Old barleywine glass

Old barleywind glass

For Old Blaggard, the fifth beer in the Union Series, Summit Brewing Company has concocted a proper English barleywine. Like English pale ales and IPAs, English barleywines are less focused on hops then their American offspring. Being a lover of malt and yeast, this pleases me. The biscuit and toffee flavors of English malt are among the most pleasing in the beer vocabulary. And I’m quite fond of the orange marmalade notes of English yeast.

The Summit Union Series combines old styles and techniques with new ingredients. Old Blaggard is a single malt/single hop beer featuring Endeavor hops from England and Simpson’s Odyssey malt, both new, at least to this country. It also uses a bit of invert sugar, an ingredient familiar to English brewers for centuries. The sugar adds some color as well as boosting the potency without overwhelming the beer with the sweetness of unfermented sugars.

Here’s my notes:

Brews_BottleUnion Series #5: Old Blaggard
Summit Brewing Company, St. Paul, Minnesota
Style: English Barleywine
Serving Style: 12 oz. bottle
10.1% ABV
50 IBU

Aroma: Malt and hops in approximate balance with low, floral alcohol. Malt is strong toffee and honey, giving a moderately high impression of sweetness. Very low biscuit notes. Hops give herbal and citrus notes. Moderately high fruity esters – overripe apricots, golden raisins.

Appearance: Full, creamy, off-white foam with good retention. Dark amber/mahogany and brilliant.

Flavor: Malt forward with low supporting hop bitterness and sweet alcohol. Malt sweetness is high. Flavors of toffee, caramel, and low biscuit. Hop bitterness is medium-low, just cutting through the sweetness. Hop flavors and esters bring high notes of orange marmalade and some darker, bruised stone fruit notes as well. Golden raisins. Some low earthy character. Alcohol is apparent. Finish is semi-sweet with lingering fruit, caramel, and alcohol.

Mouthfeel: Full body. Low carbonation. Warming but not hot.

Overall Impression: A fine sipper. Let it warm a bit to really allow the malt to come through, then pour it into a snifter. The combination of caramel malt with fruity hop and fermentation character is lovely. Alcohol is verging on too much, but doesn’t quite go over the top. It’s great to drink right now, but I’ll stash one or two of these aside and see how they taste in a couple of years.

Mikkeller Big Worse

Breweries these days are finding all sorts of interesting ways to do business. Nano-scale, alternating proprietorships, and taproom-only sales are all part of the brewery landscape. These business models allow a brewery open with minimal up-front capital or to reap the full profit from every pint sold.

Contract brewing is also still very much a part of the picture; a brand-holding company paying another brewery to make their product. It’s a controversial practice that has fierce adherents on both sides, who fling arguments both pro and con. Are these entities actually breweries? Are they just leeches trying to cash in on the boom without making the commitment – both financial and physical – to the cause? Whatever you think, the practice is here to stay and it’s here in a big way. You probably drink and love many contract-brewed beers without even knowing it.

The controversy spills over to the alternating proprietorship arrangement in which two or more fully-licensed entities share a brewing facility. Although each one is responsible for their own label approval, ingredient procurement, tax reckoning, and all the other nitty-gritty of running a brewery, in some cases all of the beer is actually brewed by only one of them. Often one of the breweries isn’t even on site when the beer is made.  It may even be headquartered in another state. Aren’t these really just contract brewers? Or is this really something else?

And what are we to make of gypsy brewers, also called tenant brewers. Beer makers like Pretty Things Beer and Ale Project, Mikkeller, and Minnesota’s own Blacklist Brewing have no physical brewery. They move from place to place, making different beers at each one. In the case of Mikkeller, these landlord breweries are spread out all over the world. The idea of migrant brewing sounds romantic. I have even heard Mikkeller praised for the practice. But doesn’t this make Mikkeller just another contract brewer? Does that even matter if the beer is good?

Here’s my notes:

Mikkeller Big WorseBig Worse
Mikkeller at De Proef Brouwerij, Lochristi-Hufte, Belgium
Style: Barleywine
Serving Style: 12.7 oz. bottle

Aroma: Round and rich caramel malt. Pleasant, floral alcohol cuts through the caramel sweetness. Hop aroma is low to none. Some sherry-like oxidative notes. Underneath, smells of vanilla custard and candied oranges add depth. Three Cs – custard, caramel, and candied oranges.

Appearance: Full head of creamy, ivory foam. Very good retention. Mahogany red and clear.

Flavor: Flavors very much follow the aroma, with gentle hop bitterness and citrusy hop flavors thrown into the mix. Caramel malt and fruity esters lead – those candied oranges again. A sweep of bitterness rolls in shortly thereafter to keep the sweetness in check, but with a delicate touch. The buttery caramel makes a comeback at the roof of the mouth, joined by bright notes of citrus –lemons – as well as some darker fruits – dates.  Alcohol is in there too, perhaps a tad intrusive. The beer goes out semi-dry with lingering bitterness and oranges.

Mouthfeel: Medium-full body – remarkably light for 12% ABV. Carbonation is medium-low. Creamy. Warming.

Overall Impression: The luscious aromatics draw me in, beckoning me to sip. But I just want to keep smelling. The palate is rewarded by that sip, though. This is a remarkably drinkable 12% brew. Light almost. Neither clinging like some strong English barleywines, nor tongue scraping like many of their American counterparts.